DAFx 20's Vienna Organising Committee

Local Organising Committee

  • Gianpaolo Evangelista (mdw), chair
  • Peter Balazs (ARI)
  • Monika Dörfler (NuHAG)
  • Nicki Holighaus (ARI)
  • Adrián Artacho Bueno (mdw)
  • Tommsch Mejstrik (UniVie)
  • Konstantin Ulitsch (ARI)
  • Piotr Majdak (ARI)

Contact

If you have any queries or questions, please contact the organisers with dafx2020@gmail.com.

DAFx Board

  • Daniel Arfib (CNRS-LMA, Marseille, France)
  • Peter Balazs (Acoustics Research Institute, Austrian Academy of Sciences)
  • Nicola Bernardini (Conservatorio di Musica "Cesare Pollini", Padova, Italy)
  • Stefan Bilbao (University of Edinburgh, UK)
  • Philippe Depalle (McGill University, Montreal, Canada)
  • Giovanni De Poli (CSC-DEI, University of Padova, Italy)
  • Myriam Desainte-Catherine (SCRIME, Université de Bordeaux, France)
  • Markus Erne (Scopein Research, Aarau, Switzerland)
  • Gianpaolo Evangelista (University of Music and Performing Arts, Vienna, Austria)
  • Simon Godsill (University of Cambridge, UK)
  • Robert Höldrich (IEM, University of Music and Performing Arts, Graz, Austria)
  • Pierre Hanna (Université de Bordeaux, France)
  • Jean-Marc Jot (DTS, CA, USA)
  • Victor Lazzarini (National University of Ireland, Maynooth, Ireland)
  • Sylvain Marchand (L3i, University of La Rochelle, France)
  • Damian Murphy (University of York, UK)
  • Søren Nielsen (SoundFocus, Arhus, Denmark)
  • Markus Noisternig (IRCAM - CNRS - Sorbonne University / UPMC, Paris, France)
  • Luis Ortiz Berenguer (ETSIS Telecomunicación - Universidad Politécnica de Madrid, Spain)
  • Geoffroy Peeters (IRCAM, France)
  • Rudolf Rabenstein (University Erlangen-Nuremberg, Erlangen, Germany)
  • Davide Rocchesso (University of Palermo, Italy)
  • Jøran Rudi (NoTAM, Oslo, Norway)
  • Mark Sandler (Queen Mary University of London, UK)
  • Augusto Sarti (DEI - Politecnico di Milano, Italy)
  • Lauri Savioja (Aalto University, Espoo, Finland)
  • Xavier Serra (Universitat Pompeu Fabra, Barcelona, Spain)
  • Julius O. Smith (CCRMA, Stanford University, CA, USA)
  • Alois Sontacchi (IEM, Univ. of Music and Performing Arts, Graz, Austria)
  • Jan Tro (Norwegian University of Science and Technology, Trondheim, Norway)
  • Vesa Välimäki (Aalto University, Espoo, Finland)
  • Udo Zölzer (Helmut-Schmidt University, Hamburg, Germany)

Programme Committee

  • Alexander Adami, Fraunhofer IIS
  • Benoit Alary, Aalto University
  • Paulo Antonio Andrade Esquef, National Laboratory for Scientific Computing
  • Raphael Arar, Khan Academy
  • Adrian Artacho, University of Music and Performing Arts Vienna
  • Federico Avanzini, University of Milan
  • Peter Balazs, Acoustics Research Institute, Austrian Academy of Sciences
  • Balázs Bank, Budapest University of Technology and Economics
  • Isabel Barbancho, University of Málaga
  • Stefan Bayer, International Audiolabs Erlangen
  • Gerald Beauregard, muvee Technologies
  • Jose R. Beltran, University of Zaragoza
  • Sofia Ben Jebara, Higher SChool of Communications of Tunis
  • Gilberto Bernardes, INESC TEC
  • Stefan Bilbao, The University of Edinburgh
  • Braxton Boren, American University
  • Bruno Bossis, University of Rennes 2
  • Baris Bozkurt, Bahcesehir University
  • Ivica Bukvic, Virginia Tech
  • Birgitta Burger, University of Jyväskylä
  • J. A. Burgoyne, University of Amsterdam
  • Rodrigo Cadiz, Pontificia Universidad Catolica de Chile
  • Murray Campbell, The University of Edinburgh
  • Guilherme Campos, University of Aveiro
  • Sergio Canazza, University of Padova
  • Elliot Canfield-Dafilou, CCRMA, Stanford University
  • Estefania Cano, A*STAR
  • F. Amílcar Cardoso, University of Coimbra
  • Thibaut Carpentier, IRCAM
  • Mark Cartwright, New York University
  • Stefania Cecchi, Università Politecnica delle Marche
  • Eugene Cherny, Åbo Akademi
  • Marco Comunità, Imperial College London
  • Andrew Connor, The University of Edinburgh
  • Jason Corey, University of Michigan
  • Luke M. Craig, Appalachian State University
  • Helene-Camille Crayencour, CNRS
  • Christophe d'Alessandro, LAM - D'Alembert - Sorbonne Université CNRS
  • Stefano D'Angelo, dangelo.audio
  • Helena Daffern, University of York
  • Roger Dannenberg, Carnegie Mellon University
  • Orchisama Das, CCRMA, Stanford University
  • Matthew Davies, INESC TEC
  • Vincent Debut, Universidade de Lisboa
  • Kristjan Dempwolf, PreSonus Software
  • Philippe Depalle, McGill University
  • Sascha Disch, Fraunhofer IIS
  • Christian Dittmar, Fraunhofer IIS
  • Maurício Do Vale Madeira da Costa, Federal University of Rio de Janeiro
  • Richard Dobson, Composers Desktop Project
  • Pierre Donat-Bouillud, Sorbonne Universite - Inria - IRCAM - CNRS
  • Paul Doornbusch, Composer
  • Michele Ducceschi, The University of Edinburgh
  • Monika Dörfler, University of Vienna
  • Lars Engeln, Technische Universität Dresden
  • Philippe Esling, IRCAM
  • Fabian Esqueda, Native Instruments
  • Gianpaolo Evangelista, University of Music and Performing Arts Vienna
  • Christof Faller, Illusonic GmbH
  • Gyorgy Fazekas, Queen Mary University of London
  • Anibal Ferreira, University of Porto
  • Arthur Flexer, Johannes Kepler University, Linz
  • Federico Fontana, University of Udine
  • Dominique Fourer, University of Evry-Val-d'Essonne / Paris-Saclay
  • Diamantino Freitas, University of Porto
  • Leonardo Gabrielli, Università Politecnica delle Marche
  • Anastasia Georgaki, University of Athens
  • François Germain, iZotope, Inc.
  • Jean-Louis Giavitto, IRCAM - CNRS
  • Dan Gillespie, Newfangled Audio
  • Bruno Gingras, University of London
  • Stanislaw Gorlow, Dolby Sweden
  • Maarten Grachten, Austrian Research Institute for Artificial Intelligence (OFAI)
  • Mads Græsbøll Christensen, Aalborg University
  • Rémi Gribonval, Inria - ENS de Lyon
  • Tania Habib, University of Engineering and Technology, Lahore
  • Huseyin Hacihabiboglu, Middle East Technical University
  • Kerry Hagan, University of Limerick
  • Brahim Hamadicharef, IHPC / A*STAR
  • Brian Hamilton, University of Edinburgh
  • Pierre Hanna, University of Bordeaux 1
  • Joachim Heintz, Hannover University of Music, Drama and Media
  • Thomas Hélie, IRCAM - CNRS
  • Trevor Henderson, Massachusetts Institute of Technology
  • David Hirst, The University of Melbourne
  • Jason Hockman, Birmingham City University
  • Matthieu Hodgkinson, National University of Ireland, Maynooth
  • Robert Höldrich, University of Music and Performing Arts Graz
  • Nicki Holighaus, Acoustics Research Institute, Austrian Academy of Sciences
  • Bo Holm-Rasmussen, Technical University of Denmark
  • Cat Hope, Sir Zelman Cowen School of Music - Monash University
  • Andrew Horner, The Hong Kong University of Science and Technology
  • Ryo Ikeshiro, Goldsmiths, University of London
  • Ozgur Izmirli, Connecticut College
  • Alexander Refsum Jensenius, University of Oslo
  • Jean-Marc Jot, Magic Leap, Inc.
  • Pierre Jouvelot, MINES ParisTech, PSL Research University
  • Neofytos Kaplanis, Bang \& Olufsen
  • Wilfried Kausel, University of Music and Performing Arts Vienna
  • Damián Keller, Federal University of Acre
  • David Kim-Boyle, The University of Sydney
  • Volkmar Klien, Anton Bruckner Privatuniversität Linz
  • Peter Knees, Vienna University of Technology
  • Ale Koerich, Université du Québec
  • Panayiotis Kokoras, University of North Texas
  • Matthieu Kowalski, Université Paris-Sud
  • Johannes Kretz, University of Music and Performing Arts Vienna
  • Mathieu Lagrange, IRCCYN-CNRS
  • Wen-Shin Lee, University of Stirling, Scotland
  • Simon Leglaive, Centrale Supélec
  • Grace Leslie, Georgia Institute of Technology
  • Wei-Hsiang Liao, Sony Corporation
  • Johan Lilius, Åbo Akademi
  • Filipe Cunha Monteiro Lopes, Escola Superior de Media Artes e Design - IPP
  • Hanna Lukashevich, Fraunhofer IDMT
  • Alexey Lukin, iZotope, Inc.
  • Eric Lyon, Virginia Tech
  • Pierre Mahe, Orange S.A. - University of La Rochelle
  • Piotr Majdak, Acoustics Research Institute, Austrian Academy of Sciences
  • Joseph Malloch, Dalhousie University
  • Sylvain Marchand, University of La Rochelle
  • Matija Marolt, University of Ljubljana
  • Daniel Mayer, KUG / IEM Graz
  • Leo Mccormack, Aalto University
  • Thomas Mejstrik, University of Vienna
  • Romain Michon, CCRMA, Stanford University
  • Marius Miron, European Commission Joint Research Centre
  • Dave Moffat, University of Plymouth
  • Robert Mores, Hamburg University of Applied Sciences
  • Rosemary Mountain, Concordia University
  • Rémy Müller, IRCAM
  • Jacob Møller Hjerrild, TC Electronic / Music Tribe DK
  • Takayuki Nakatsuka, Waseda University
  • Dafna Naphtali, Sound Artist
  • Juan M. Navarro, Universidad Catolica de Murcia
  • Luiz Naveda, State University of Minas Gerais
  • Shahan Nercessian, iZotope, Inc.
  • Julian Neri, McGill University
  • Søren Nielsen, SoundFocus
  • Oriol Nieto, Pandora Media, Inc.
  • Stavros Ntalampiras, University of Milan
  • Simone Orcioni, Università Politecnica delle Marche
  • Luis Ortiz-Berenguer, Universidad Politécnica de Madrid
  • Naotoshi Osaka, Tokyo Denki University
  • Stephen Oxnard, Sorbonne Université
  • Rui Pedro Paiva, University of Coimbra
  • Matthew Paradis, BBC
  • Julian Parker, Native Instruments
  • Sandra Pauletto, KTH Royal Institute of Technology
  • Jouni Paulus, Fraunhofer IIS
  • Jussi Pekonen, Audio SP Professional
  • Rui Penha, INESC TEC / University of Porto
  • Pedro Pestana, Universidade Católica Portuguesa
  • Nils Peters, Qualcomm Technologies
  • Jean-Francois Petiot, Ecole Centrale Nantes
  • Florian Pfeifle, University of Hamburg
  • Mary Pilataki, Queen Mary University of London
  • Peter Plessas, University of Music and Performing Arts Vienna
  • Pietro Polotti, Conservatory of Music "G. Tartini", Trieste
  • David Poirier-Quinot, Sorbonne Université
  • Laurent Pottier, Université Jean Monnet, Saint-Étienne
  • Karolina Prawda, Aalto University
  • Miller Puckette, University of California San Diego
  • Marcelo Queiroz, University of São Paulo
  • Rudolf Rabenstein, University of Erlangen-Nuremberg
  • Stephane Ragot, Orange S.A.
  • Pavel Rajmic, Brno University of Technology
  • António Ramires, Universitat Pompeu Fabra
  • Mark Rau, McGill University
  • Joe Rees-Jones, University of York
  • Jane Rigler, University of Colorado Colorado Springs
  • Davide Rocchesso, Università degli Studi di Palermo
  • Antonio Rodà, University of Padova
  • Axel Röbel, IRCAM
  • Gerard Roma, University of Huddersfield
  • Carlos Román, Universidad de La Salle
  • Marcelo Rosa, Universidade Tecnológica Federal do Paraná
  • Robert Rowe, New York University
  • David Roze, CNRS-IRCAM-SU
  • František Rund, Czech Technical University in Prague
  • Mark Sandler, Queen Mary University of London
  • Pedro Sarmento, Queen Mary University of London
  • Saurjya Sarkar, Birla Institute of Technology and Science
  • Pedro Sarmento, Queen Mary University of London
  • Sigurd Saue, Spotics AS
  • Carla Scaletti, Symbolic Sound Corporation
  • Margaret Schedel, Stony Brook University
  • Jiri Schimmel, Brno University of Technology
  • Sebastian J. Schlecht, Aalto University
  • Maximilian Schäfer, Friedrich-Alexander Universität Erlangen-Nürnberg
  • Rod Selfridge, Queen Mary University of London
  • Sertan Şentürk, Universitat Pompeu Fabra
  • Stefania Serafin, Aalborg University
  • Xavier Serra, Universitat Pompeu Fabra
  • Kai Siedenburg, Carl von Ossietzky University of Oldenburg
  • Riccardo Simionato, University of Padua
  • Tamara Smyth, University of California San Diego
  • Simone Spagnol, Aalborg Universitet
  • Gokul Srinivasan, The University of Edinburgh
  • Nikos Stavropoulos, Leeds Beckett University
  • Francis Stevens, University of York
  • Thomas Strasser, Austrian Institute of Technology - Chair IEEE Austria Section
  • Li Su, Academia Sinica
  • Alvin Su, National Cheng Kung University
  • Martin Supper, Berlin University of the Arts
  • Greg Surges, University of California San Diego
  • Tapio Takala, Aalto University
  • Akira Takaoka, J. F. Oberlin University
  • Yan Tang, University of Illinois at Urbana-Champaign
  • Sten Ternström, KTH Royal Institute of Technology
  • Tony Tew, University of York
  • Etienne Thoret, McGill University
  • Joseph Timoney, Maynooth University
  • Petri Toiviainen, University of Jyvaskyla
  • Shawn Trail, University of Victoria
  • Pierre Alexandre Tremblay, University of Huddersfield
  • Luca Turchet, University of Trento
  • George Tzanetakis, University of Victoria
  • Finn Upham, McGill University
  • Vesa Valimaki, Aalto University
  • Akito van Troyer, Massachusetts Institute of Technology
  • Jose Vieira, University of Aveiro
  • Gualtiero Volpe, University of Genoa
  • Henrik von Coler, TU Berlin
  • Russell Wedelich, Eventide, Inc.
  • Jeremy Wells, University of York
  • Kurt Werner, iZotope, Inc.
  • Alex Wilson, University Of Salford
  • Kin Hong Wong, The Chinese University of Hong Kong
  • Alec Wright, Aalto University
  • Lonce Wyse, National University of Singapore
  • Steven Yi, Composer
  • Tan Yiyu, RIKEN Advanced Institute for Computational Science
  • Stefano Zambon, Elk Audio
  • Ivan Zavada, The University of Sydney
  • Udo Zölzer, Helmut Schmidt University Hamburg